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Zhang Yimou
Zhang
was born in the city of Xian, in 1950, at a time when an important lineage
was the ticket to prosperity. Unfortunately, Zhang's father was an officer
in the Nationalist Army, which, in the eyes of the government, made them
politically suspect. One of Zhang's brothers had to flee to Taiwan, and
another was accused of espionage and put behind bars. When Zhang was in
his teenage years, the Cultural Revolution swept through China in 1966,
and Zhang was forced to leave his home for the rural countryside where
he spent a decade doing manual labour, first on a farm and then at a textile
mill. With enough money saved from selling his own blood, he bought a
cheap camera and spent most of his time taking photographs, which he published
in the province's Shaanxi Daily newspaper. As a result, he gained a small
amount of fame as a talented photographer. When the Beijing Film Academy
reopened, Zhang jumped at the chance to escape his current meaningless
life, so he enrolled. As luck would have it, he enrolled into the first
class - the class of '82, which would go on to produce China's greatest
modern filmmakers.
During the years at the Academy, Zhang was placed into the
cinematography department, because of his previous photographic experience,
but it was directing that Zhang had wanted to learn. After their graduation,
the Fifth Generation made their first film together - the One and Eight,
with Zhang manning the cameras.
Zhang went on to help fellow graduate Chen Kaige with the
camerawork on Yellow Earth, which was well received globally. After helping
Chen with another project (The Big Parade), and Wu Tianming's Old Well,
Zhang was finally given permission to direct his own film - Red Sorghum,
the film which turned his lead actress into China's biggest star. Zhang
had decided, prior to filming Red Sorghum, that he did not want established
actresses as the lead; therefore he chose a fresh-faced unknown girl named
Gong Li during a visit to Beijing.
Zhang
and Li became inseparable in both the movies and in real life, and when
the rumours started flying that they were having an affair (Zhang was
already married at the time), he quickly wanted a divorce. From then on,
Zhang went on to even bigger international acclaim, but each time he stepped
over the line, he was able to gather enough support from his international
connections to stop the government from forcing him to cease making films
altogether. Zhang became the darling boy of academics and political fighters
inside China, and it seemed he was untouchable, but when his fairytale
relationship with Gong Li ended abruptly in 1995, he went off the deep
end, taking him some considerable time to recover from the messy emotional
complications. Gong Li went on to marry a Singaporean businessman.
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